Cakewalk Hall - Fox Theatre at 111 East Fifth
Ragtime tunes swept our nation at the end of the 1800s diverting our attention from the staid classical European music. Learn the new dance styles that changed to match. Dance to scandalous rhythms or just listen and observe.
All dance events are free except the Maple Leaf Tea Dance.
Thursday, June 1 1:00 to 2:00 Dance Lessons: AS EASY AS 1-2-3: One-step, Two-Step and Three-Step 2:00 to 3:00 Open dancing with live accompaniment 3:00 to 4:00 Dance Lessons: DOING THE BOSTON: Hesitation Waltz 4:00 to 5:00 Open dancing with live accompaniment
Friday, June 2 1:00 to 2:00 Dance Lessons: TAKE A HIKE: Cakewalk, Camelwalk, Castlewalk
4:00 to 6:00 Maple Leaf Tea Dance ($15 ticket at Box Office or CASH at door) Music provided by the *Joplin Jubilee Jamboree Band (JJJB)
Experience a modern flair to a Victorian Garden Party themed event catered by a culinary artist. Dance instructors will lead a Grand March to open this formal dance. A cakewalk contest will give tasty baked prizes for the best imitation of this strutting dance of African American origin. Vintage attire is encouraged. Appetizers and champagne will be served.
Saturday, June 3
1:00 to 2:00 Dance Lessons: IT’S A ZOO: Animal Dances & Fox-trot 2:00 to 3:00 Open dancing with live accompaniment
3:00 to 4:00 Dance Lessons: DOWN TO RIO: Ragtime Tango 4:00 to 5:00 Open dancing with live accompaniment
Dance instructors Tim Lamm and Paula Harrison from Lexingon, Kentucky will showcase the one-step, two step, foxtrot, and animal dances to the new syncopated rhythms. Tim and Paula formed their partnership “Steps in Time Historical Dance” in 2008 and regularly teach classes in vintage and contemporary couple dancing. Their repertoire includes historical social dances from 1600 to 1930, English country dances, Appalachian dances, and various contemporary couple dances. Tim has a talent for breaking dance moves down into small, incremental steps and explaining moves clearly. Paula is known for her graceful style, versatility, and intuitive skills as a “follow.” Participants enjoy their easy, no pressure approach. See www.stepsintime.us
The Joplin Jubilee Jamboree Band (JJJB) will energize the Maple Leaf Tea Dance on Friday 4:00-6:00 focusing on one-step, two-step, and waltz tunes from 1896-1926. JJJB is composed of twelve of our great festival musicians including Dave Majchrzak on piano, Danny Coots providing the drumbeat, Mike Schwimmer on washboard, and Bob Schad strumming the banjo. Wind instruments include Jim Radloff (Band Organizer) on tenor sax, Jeff Barnhart (Band Leader) playing trombone, Steve Standiford on tuba, Paul Asaro and Jack (Doc) Radloff sharing the trumpet roles, and lastly, Frank LiVolsi and Matt Tolentino playing clarinet. Matt will also showcase his talents on the accordion, and Anne Barnhart will be the featured vocalist.
Sponsors: Furnell Investments/Fox Properties | Doug & Nina Freed | Byron & Judy Matson
The 2017 Artist In Residence with Frederick Hodges was a great experience. He got rave reviews from all 11 of the schools he visited during the week of Feb. 5 to 9. The kids loved how much he involved them and the assembly was frequently very loud. The teachers were very happy with the amount of history he shared and the way he interacted with the kids.
The Sedalia Area Literacy Council purchased 11 copies of the book "Treemonisha" to give to the schools' libraries, so the teachers can reinforce the experience any time during the year. We had great coverage from the media, with a front page story in Tuesday's paper, and a live interview on both radio stations on Monday. Frederick also played at the volunteers' appreciation reception at the Liberty Center and spent time talking to the guests. He played for a silent movie at the Liberty Center on Thursday and has helped the interest in silent movies grow. All in all, we kept him very busy during the week he was here and it was a great experience.
Imagine – a retired doctor who made a second career of fictionalizing, researching, documenting, and presenting ragtime history! That was Larry Karp of Seattle, Washington, who set aside a noteworthy career in perinatal medicine to pursue his passion for writing. He died at age 77 on October 11, 2016, six months after publication of his major documentary work, Brun Campbell: The Original Ragtime Kid.
In earlier years, Larry had been vaguely familiar with the music and story of ragtime, though he was an authoritative collector of antique music boxes. Something about the youthful relationship between Scott Joplin and Brun Campbell in Sedalia caught his attention as he pondered subjects for a mystery novel. The Ragtime Kid, published in 2006, was followed by two sequels, creating what is now commonly referred to as the Ragtime Trilogy.
Larry consulted with me on how best to make it available to the ragtime community. With seemingly endless persistence, he assessed the massively complex and contradictory Brun and created a work that is itself now a model for biographical organization. He lived long enough to be able to say that the Brun Campbell book and recording project was one of the most exciting, fascinating, and satisfying works of
his life. I think of Larry as a person who at the beginning of his career vowed to “First do no harm,” and it seems, in the last part of his career, “Do much good.”
He became very fond of Sedalia, and he admired the respect it pays to Joplin, Campbell, and others with our annual ragtime festival. I thank everyone who has contributed to the Larry Karp Memorial Fund, a worthy gesture of thanks to a ragtime fan whose words on the printed page translates to music for all to hear. --David Reffkin, Festival Historian
Special Thanks to those who have donated to the Larry Karp Memorial Fund, including:
Carol Tillman, Dan Brown, Kelley Kaufman & Theodore Godlin, Chaney Capitol Mgmt., Mark & Mary Forster. Katherine Menefee, Peg Kehret, Margot Hall Sims, Betty W. Singer, Russ Nery, Michael Smith.
The historic contract to publish the Maple Leaf Rag was a major event in American music history. Joplin’s composition became the first ragtime best seller and ushered in the Ragtime Era of American popular music. The unique royalty contract itself was a milestone in the protection of intellectual property rights and went a long way toward stimulating what became known as Tin Pan Alley.
But it was also a major event in American race relations as a white businessman and the son of a slave entered a inter-racial partnership to publish a black man’s composition. Thus, this location at 114 E. Fifth Street marks the site of an important place where America’s music began!